Showing posts with label Fashion. Show all posts
Showing posts with label Fashion. Show all posts

July 7, 2016

A beautiful Stud Model Undies (and Explanation)



                                                             


Sometimes we just have too much to tell,  you might not know(media’s fault by publishing on the net only what gets hits and sells), that we don’t have the space and time to tell about things we used to tell you or show you before. Do you know we started with just gay stories? What ever was gay almost qualified, it had to be true. Then when the gay media was established as is today that changed.

Now we concentrate on what the publisher feels you might want to be aware without boring you with a lot of other stuff. It could be a gay story or about a story in Turkey or Scotland. It’s a hit and miss because we use the information we get on what is being read not to republish the same thing but to teach us what people are interested in and then check if enough it’s being said,  if not,  we will pick a good established network to post one of their postings or just write it ourselves if we have all the information. This has to be done very fast before midnight everyday.

We always give the gay story the highest priority but you don’t need  o see the same story everywhere. We don’t live by our community alone so we need to know what is going around us.

So to change the pace we decided to publish a beautiful stud model undies. Artificial? Yes but is good to watch and it might give us ideas of what to wear. 

This introduction is not to excuse what you are about to see but we took this story with a video as another chance to tell you more abut us. Love to our readers…








April 10, 2014

Life of Gay Married Designer Tom Ford

                                                                                     

Famed fashion designer Tom Ford, 52 and his long-time love of 27 years, Richard Buckley, 66, casually announced that they are now married at the Regent Street Apple store in London on April 7.  We think it is incredible that the couple is now committed in marriage after 27 years together. We wonder why the marriage was so under wraps but we are sure the dashing couple and their son, Alexander John Buckley Ford, are ready to take on married life!

Tom Ford Married To Richard Buckley

The couple met when Tom was 25 years old and Richard was 38.  We think it was about time for these two love birds to tie the knot!  Tom showed off his ring announcing to the audience, “We are now married, which is nice,” during his appearance at the Apple store.  He shocked us when he then added that they were married in the United States! 
Early on in their relationship, Tom’s fashion brand was just beginning to sky rocket and achieve success and Richard, the former editor-in-chief of Vogue Hommes International , was also very much an integral part of the fashion scene.  Sadly, Richard was diagnosed with cancer in 1989 and after his recovery the couple moved from New York to Italy.  As their relationship began to grow, the couple announced that they started a family and revealed their son Alexander John Buckley Ford, to the world in 2012.  They are now residing in London where Ford’s famous fashion brand is based.
Life Story of Tom Ford

Tom Ford famously–and it seems incongruously–grew up in Austin, TX and Santa Fe, NM and it resonates with and influences him still. His childhood seemed idyllic, and he counts a grandmother–who was married six times and insisted on going by the name “Duckie” because she didn’t want to be called “Grandmother”–as a huge influence. Ford said, “She jingled and smelled good.” Despite a self-described happy childhood, he acknowledges that being different in the Texas school he attended was not celebrated. He experienced bullying for things like carrying a briefcase, but his parents continued to encourage him to do it, for which he was obviously grateful.

He went to NYU as an undergrad, but dropped out after a year. “Um, I was going to Studio 54 lot,” he said by way of explanation. In the meantime, he embarked on a short-lived acting career about which he said (totally tongue-in-cheek), “I didn’t want to be an actor. I wanted to be a movie star!” He ultimately attended Parsons , where he ended up with a degree in environmental design–not fashion design, and spent some time interning in Paris. But his ballsiness landed him a job in fashion after he hounded designer Cathy Hardwick until she agreed to see his sketches. Ford said, “She said [she hired me] because I had pretty hands.” He basically learned on-the-job, and told a story about being asked to draw some circle skirts. He ran down to Bloomingdale’s, looked at the seams of some skirts, then ran back to the office to sketch.

Fast forward a few years, where he landed a job at Perry Ellis in the jeans division. Working there in an environment where a few cents per yard of denim was a hotly debated topic seems to have convinced him that he doesn’t want to work in fast, or “accessible” fashion. “I’m really happy doing this,” he said. “This” meaning making really high-end clothes.

After an almost decade-long stint at Gucci and then YSL, Tom Ford started to feel burned out. “I bought a house and art and a lot of material things. But it did not make me happy,” he said. “In a way I think I willed my own departure from Gucci.” While he’s proud of the growth the company achieved (from near bankruptcy to a company worth billions) he regrets not leaving on good terms with Yves Saint Laurent (whose company was acquired by Gucci) himself. Ford claims to have “beautifully handwritten notes from Yves detailing how in 13 months I destroyed what he built in 40 years.” He started drinking to “escape” and knew he needed a change.
A year of retirement and playing golf (with wooden clubs and custom-made golf shoes, natch) didn’t sit well with him. He started his film company, and released A Single Man, to much acclaim. But fashion called to him. “I was shopping and couldn’t find anything I wanted,” he said. “At Gucci I just made myself things!” So Tom Ford the company was born–then came menswear, eyewear, beauty, and finally women’s RTW and a full beauty collection. While he claims to have three film projects in the works now, fashion is winning out. “The film industry is too slow. I would lose my mind,” he said. He will continue to show his collection to small groups of editors and plans to control the release of images as he’s done for the last year.

We could have listened to him for another hour, but it was not to be. However, the 92nd Street Y is hosting another talk that promises to be equally as exciting: “Fashion Icons with Fern Mallis: Michael Kors.”

Slated for June 6 at 8 PM, vente-privee will once again provide unparalleled access to this intimate conversation. Become a member and be on the lookout for these packages available soon on vente-privee, and you just might be rubbing VIP elbows with Mr. Kors himself.

Oh, and since Tom Ford was inspired by European style during his time in Paris, why not live that experience yourself? It’s not too late to enter our contest to win a trip to Paris courtesy of vente-privee! All you need to do is register here.

Sources: fashionista
             hollywoodlife

September 26, 2013

A Queer History of Fashion at F.I. of Technology NYC

A Queer History of Fashion
 An exhibition at the Fashion Institute of Technology in New York explores the LGBTQ contribution to style, from 18th-century London to present-day AmericaA Queer History of Fashion.
The celebrity-heavy unveiling of New York's annual Met Ball may guarantee its home, the Costume Institute, a certain amount of attention each year, but it is not the only museum in the city that explores the history of fashion.
At the Fashion Institute of Technology, museum director and chief curator Valerie Steele has been carving out a reputation for shows that flirt with the fetishistic and expose the often uncovered side of fashion. Her latest, A Queer History of Fashion: From the Closet to the Catwalk, co-curated with Fred Dennis, delves into the LGBTQ contribution to style, from 18th-century London, where "mollies" cross-dressed (here in red velvet capes) and had mock marriages, to present-day America, where gay people can legally marry.
Steele says: "We wanted to put gay people back into history, not just by saying that some designers happened to be gay, but by saying, 'actually, LGBTQ people have had a big impact on fashion for a long time, and it's not just by chance.'". Ranging from the sober to the flamboyant, and referencing hanky codes, Aids awareness, leather and lumberjack, the exhibition explores gay people as both designers and trendsetters, through high fashion, street style and performance gear.
Queer FashionAn 1882 day dress. A man’s three piece silk velvet suit, 1790-1800, France. Naomi Campbell models Versace, leather evening dress, autumn/winter 1992
While many designers these days are openly gay, homosexuality in the industry was once either a fiercely guarded or an open secret. Dior was terrified his mother – and the wider world – would find out he was gay; Yves Saint Laurent's relationship with Pierre Bergé was only explicitly romantic later in his career; and Austrian designer Rudi Gernreich (if only we were all floating about in his printed unisex kaftans) was a founding member of gay rights group The Mattachine Society in 1950 - although he quickly quit, terrified he would be arrested and deported from the US.
The show is a small, celebratory sprint through centuries of style. Certain looks stand out: the lesbian elegance of the 1920s, typified by the Monocle clubMarlene Dietrich's looks, which show off her impeccable taste as well as her gender-bending; the moving collection of Aids awareness T-shirts; Versace's leather ballgown, which disgusted wealthy women in Dallas early in his career, but captured the fashion world's imagination during his heyday 15 years later ("Now look: 200 socialites in bondage!" he laughed, according to Steele).
There is great pleasure in imagining the people connected to the clothes, too. A Saint Laurent suit isn't just a great example of the designer's tailoring, but was also worn by Aids activist Larry Kramer. Spanish designer Miguel Adrover's astonishing – but kinda gross – coat is made out of Quentin Crisp's stained old mattress, which he found in the rubbish after the raconteur's death.
Since the exhibition ends with the plain suits worn by a male couple at their recent marriage, the question is: will greater assimilation make LGBTQ fashion less "queer"? Steele thinks not. "People have been saying that for years: 'We're not going to be so edgy! It'll be all bourgeois with gay marriage!' First of all, it's not all New York and London – there's Egpyt, Russia, Uganda, lots of places where there's still tremendous hostility towards gay people. Also, there's the sense of feeling different; that your gender or sex alignment is not the norm. I think that sense of being different is not going to disappear."
• A Queer History of Fashion: From the Closet to the Catwalk is at The Museum at FIT, New York, until 4 January 2014.

September 1, 2013

Is Femme The Looks of The Future of Men's Fashion



(Follow up)


Some fashion trends sneak up on you. Others ring out loud and clear. Last week, as the Spring ’14 menswear shows kicked off in London, one trend sounded with all the subtlety of an air horn: androgyny is the new black.
The most forceful expression of this theme came from up-and-coming brand JW Anderson. The five-year-old label comprises collections for men and women, and designer Jonathan Anderson likes to overlap the look of the two. Last season, for instance, Anderson showed pairs of ruffled shorts for men much like the ones in his Spring ’13 womenswear collection. And this time, Anderson’s dominant silhouette was a lean tunic paired with fluid, elongated trousers, another shape he’d begun to articulate in his previous womenswear show. But the look that got eyebrows arching and tongues wagging was Anderson’s male halter top: backless, semi-sheer and floral patterned, the look was unavoidably effeminate. “Atrocious,” sneered The Daily Mail.
Anderson is upfront about the fact that he likes testing the boundaries between men’s and women’s clothes. But he insists that he’s not setting out to create controversy; for him, the gender-bending emerges organically, out of formal risk-taking.
“In a way, it’s funny that people had such a strong reaction to that look,” Anderson tells me. “I mean, that top started as a long raglan mac. And then we cut the sleeves off, and then we made it short. When you’re in the studio,” he goes on, “that kind of experimentation feels normal. In fact, it’s the point. You’re playing with a piece of fabric, trying to create a new line, a new proportion. But then you present that to the world, on a runway, and it becomes this ‘thing.’” 
A pattern forming
If Jonathan Anderson were an outlier, one mad designer whipping up androgynous looks out of a surfeit of aesthetic zeal, that would be interesting. But what’s more interesting is the fact that Anderson is not alone. Another London up-and-comer, Shaun Sampson, showed pale pink organza board shorts and ‘skirts’ made to look like beach towels. At Alexander McQueen, creative director Sarah Burton opened the show with a fitted suit of white lace. The Topman show featured fanciful cowboys, and embroidered florals. At a certain point, it started to feel unfair, or arbitrary, to think of those looks as ‘feminine’. I found myself wondering: who decided that men couldn’t wear lace? Or skirts, for that matter? Back in ancient Greece, guys were wearing togas, right? So when did all this vigilance around masculinity happen, exactly?
“I feel like we’ve been in a really conservative moment,” notes Martine Rose, another London-based menswear designer who tests gender conventions with her clothes. “It’s so lazy, this way of thinking – that ‘real’ men wear this, but not that. I was really influenced by [funk musician] Rick James, for this collection,” she continues, “and he was so sexy, so gangster, and wearing ruffled shirts and thigh-high red boots. He wasn’t letting his clothes define his sexuality. Or his masculinity.”
Rose’s new collection featured all manner of ‘feminine’ detail. What made it intriguing, though, was the fact that the attitude of the clothes was so incontrovertibly masculine. Rose draws a great deal of inspiration from sport, and beyond that, from the way even non-sporty guys wind up integrating athletic kit into their wardrobes. This season, she expanded that concept into lace-frilled running shorts and blouson trousers with the indolent slouch of tracksuit bottoms.
‘Crisis of confidence’?
“Footballers back in the seventies, they used to wear those little shorts,” Rose muses. “No one was questioning their manliness; other guys wanted to look like them, in fact. And they were sexy, those footballers. They had the confidence to show their bodies, and to be playful.”
Confidence. If there’s one thing these new androgynous looks demand of men, it’s that. Which raises the question: have the über-masculine looks dominating menswear up to now been signaling a crisis of male confidence?
When The Atlantic magazine publishes cover stories that trumpet ‘The End of Men’, it’s tempting to read the advent of Don Draper, style icon, as channeling nostalgia for an era when men were the breadwinners. Likewise, the rise of earthy looks – lumberjack hipsters, and all that – could be symptomatic of revanchist idolatry of the ‘manly’ man, who would never, ever change a diaper.
But you could just as easily argue that Mad Men fetishists in the US are really just sentimental for the days when America was coming up in the world. And all those guys in their Woolrich parkas and plaid flannel, well, maybe their dreams are of working with the hard, physical matter of the world, rather than the e-stuff and iThings of our virtual age.
Fine and dandy
The point is, clothes can be complicated. They can tell a few stories, all at once. And so it’s entirely probable that there’s more to this gender-blurring fashion moment than gender.
Dandyism, wrote the 19th Century poet and essayist Charles Baudelaire, emerges in times of transition. And at such moments, he asserted,  “a certain number of men, disenchanted and leisured ‘outsiders’…may conceive the idea of establishing a new kind of aristocracy.”
What Baudelaire is talking about, of course, is taste. And when Jonathan Anderson explains that his controversial halter tops were the product of his desire to create “a new line,” he’s talking about taste, too. So is Charlie Casely-Hayford, co-founder of the luxury menswear brand Casely-Hayford, when he says that feminine elements give his brand’s natty suits a sense of “refinement.” You could argue that what we’re seeing on menswear runways right now is the establishment of Baudelaire’s aristocracy of taste. The folks in the front row were perfectly blasé about the halter tops at JW Anderson’s show. Their focus was on the way Anderson finessed the look, and his conviction in selling it
There’s a kind of ivory tower thinking at work in this, no doubt about it. But I’m willing to bet that, given some time, the public will come around to some version of this new unisex aesthetic. It’s happened before: as Martine Rose pointed out, there was a fey moment back in the seventies. And the feminine influence is already apparent in a handful of brands, like Casely-Hayford, that traffic in relatively conventional men’s clothes.
And Charlie Casely-Hayford agrees that, in time, his customer will fully come round. “We want to challenge our customer, but we don’t want to freak him out,” he says. “So every season, I’m asking myself – can we do a skirt? Will he understand? We’re almost there,” he adds. “But, you know, not quite yet.”
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August 13, 2013

Andre Leon Talley- Gay and Super Talented From Vogue in NY to Moscow Russia


ANDRÉ LEON TALLEY

Andre-Leon-Talley-hero.jpgPhotograph by George Burns/Harpo, Inc. Published in Vogue, April 2006.
“André doesn’t have fashion. André himself is fashion,”[1]the shoe maestro Manolo Blahnik said in 2010 of the high-flying contributing editor to Vogue. And Talley is, by any account, one of the most authoritative voices in the industry, offering his encyclopedic knowledge of design as a critic, columnist, television personality, and all-around inspiration.

Talley once wrote that he was a “true fashion convert by the age of twelve.”[2] He has attributed his rise to a devout passion for the subject, fostered by a series of female mentors: first and foremost, his grandmother, Bennie Frances Davis, who raised him in Durham, North Carolina. She took pride in her appearance—with a Sunday wardrobe that was modest, but impeccable and very stylish—that left an indelible mark on young André. After attending college in his hometown, he pursued a master’s degree in French literature at Brown University; he considered becoming a professor before moving to New York City in 1974
  • First worked at Vogue1983
  • Born1948Washington, D.C.

History
  1. 1948
    André Leon Talley born in Washington, D.C., the son of Alma Ruth Davis and William Carroll Talley (by day a press operator at the U.S. Patent Office and by night a taxi driver). André’s parents will eventually divorce and he will be raised by his maternal grandmother, Bennie Frances Davis, in Durham, North Carolina; she works as a dormitory-room cleaner at Duke University.
  2. 1961
    Baptised. Family life is grounded in the church. “My childhood was, by anyone’s standards, a rich one,”[7] he later writes. Because of his height—which eventually will reach six feet seven inches—his father entertains hopes he will become a basketball player.
  3. 1966
    After graduating from Hillside High School, studies French at North Carolina Central University.
  4. 1970
    Leaves Durham to pursue a master’s degree in French literature at Brown University in Providence, Rhode Island. While there, he participates in an exchange program at Rhode Island School of Design; at RISD, he will take an art history course, develop friendships with fashion enthusiasts, and write a gossip-and-fashion column for the school newspaper.
  5. 1972
    Earns his master’s. Later writes, “My topic was the pivotal role played by all the fabulous, exotic North African women in the works of poet Charles Baudelaire and painter Eugène Delacroix.”[8] After weekend visits to friend Reed Evins in New York, realizes that a career in academia is not for him. Encouraged by Reed and the artist Richard Merkin, decides to pursue fashion.
  6. 1974
    Moves to Manhattan. With a letter of recommendation from the father of a friend from RISD, obtains a volunteer position at the Met’s Costume Institute. Contributes to Interview magazine’s Small Talk column.
  7. 1975
    Takes first steady job in New York, working for Pop artist Andy Warhol at Interview. “On his first day at work,” editor Bob Colacello later says, “André turned up in khaki safari shirt and Bermuda shorts, with matching knee socks, topped off by a hunter’s helmet from Abercrombie & Fitch. . . . We dubbed him André de Interview, because he often answered the phone with a festive ‘Bonjour!’ ”[9] Soon, Talley is promoted from receptionist to fashion editor.
  8. 1977
    Becomes a Paris fashion editor for WWD.
  9. 1982
    Hired by Eunice W. Johnson as the fashion editor of Ebonymagazine.
  10. 1983
    Joins Vogue as fashion news editor; will be in charge of Vogue’s View fashion section.
  11. 1988
    Named Vogue’s creative director.
  12. 1989
    Loses the two most important women in his life, his grandmother, Bennie Frances Davis, and his mentor, Diana Vreeland. Joins the congregation of the Abyssinian Baptist Church in Harlem.
  13. 1994
    Begins writing his memoir, partly as a therapeutic way to get over the deaths of his grandmother and Vreeland.
  14. 1995
    Leaves Vogue and moves to Paris to be bureau chief for W.
  15. 1997
    Returns to the States and to Vogue (where he is named editor at large). Begins writing a regular column, Style Fax; it will later be known as Life With André.
  16. 2000
    Savannah College of Art and Design, of which he is a trustee, creates a lifetime achievement award in Talley’s name; Oscar de la RentaMiuccia PradaTom Ford, and Manolo Blahnik are among the future recipients.
  17. 2003
    A.L.T.: A Memoir published by Villard.
  18. 2004
    Takes the stage with the Martha Graham Dance Company to narrate The Owl and the Pussycat.
  19. 2005
    His second book, ALT 365+, published. Inspired by a trip to Turin, Italy—where he took a snapshot of Miuccia Prada with a disposable camera—it is an art monograph, chronicling 365 days of his life through his own photographs and words. Included are fond remarks about Diana Ross, Oscar de la Renta, and Diane von Furstenberg (a friend since the 1970s).
  20. 2007
    Comments on Oscar fashion—live, from the red carpet—as one of the cohosts of ABC’s Academy Awards night coverage. Curates “A Celebration of Oscar Fashion,” which showcases famous dresses from down the years, in the grand lobby of the Academy’s Beverly Hills headquarters.
  21. 2008
    Plays himself in Sex and the City: The Movie.
  22. 2009
    Blankets the airwaves as an authoritative voice on White House fashion during the Obama administration’s inauguration week. Appears in two hit documentaries: The September Issue andValentino: The Last Emperor. Signs on as a judge in America’s Next Top Model.
  23. 2010
    Gets a new title at Vogue, contributing editor; continues to write his column, Life With André, and report from around the globe, while accepting more freelance television gigs and personal projects.
  24. 2011
    Steps down as America’s Next Top Model judge. The André Leon Talley Gallery opens at the new SCAD Museum of Art in Savannah, Georgia.
  25. 2012
    Becomes frequent contributor to Entertainment Tonight,reporting from red carpet events including the Screen Actors Guild Awards and the Oscars. February: Receives Emerge! Fashion Innovator Award, presented by CFDA president Diane von Furstenberg. September: Curates “Little Black Dress” exhibit at the SCAD museum. October: Hosts a dinner for British designer Zandra Rhodes—a longtime friend (and fellow Diana Vreeland protégée)—in celebration of a retrospective of her work at the Massachusetts College of Art and Design.
  26. 2013
    January: Begins shooting a regular video column called Mondays with André for Vogue.com. February: Strikes a deal with production company Electus for his own late-night talk show. Named editor at large for Numéro magazine’s new Russian edition.

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