Eddie Murphy's A Thousand Words Bomb Bigger Than John Carter's



 Murphy should stay in comedy and forget the movies. but may her is aware he can’t be talking about all the faggets he talks about  in his monologues.  The only thing that got this guy in the lime light was hopw he lambasted gays. I was like he knew everyhting but he was going to present an imaginay or experience part of it and presented in an manologue in comedy or as a star or co star in some cheap movie. Murphy, these re not your times. The closeted cases in the movies have died off. 

You have people with a bit younger ideas of how the word is. They still don’t seem to know how the world turns, but we give them the benefit of the doubt because movies are ingrain in the new american  phych and tech system in their brains.

 
Me….adamfoxie*blog International
Anyone like most people with with an average IQ and a fast computer can get  the information of the shit some people put out even before it comes out. On John Carter I even took a survey in order to watch a part of it. I liked it  but had reservations. Proven more than right.  by the premiere.

Taylor Kitsch, John Carter, Eddie MurphyFrank Connor/Disney 
by ( below)
John Carter's new best friend is Eddie Murphy.
In a weekend where the massively expensive sci-fi epic seemed poised for box-office infamy, Murphy's new comedy, A Thousand Words, might have taken the prize.
The booby prize.
The high-concept comedy grossed just $6.4 million Friday-Sunday, per estimates.
That's not good if the movie cost $40 million, as it reportedly did. That's worse if the movie cost $70 million, which Los Angeles Times said it did.
If the latter figure's correct, then seemingly against all odds A Thousand Words out-bombed John Carter.
Which might not have bombed.
Despite grossing $30.6 million domestically, a terrible start for a movie advertised as the first blockbuster of the year, much less one of the most expensive films of all-time, John Carter ended up with $101 million weekend thanks to solid debuts in Russia, Asia and other overseas markets.
While its debut leaves it a way from covering its $250 million price tag, it helps distinguish it from last year's irredeemable Martian bomb, Mars Needs Moms.
"Labeling [John Carter] as a financial disaster at this point doesn't really make sense," BoxOffice.com editor Phil Contrino said Sunday via email. "It's not going to be a huge blockbuster at home, but it's on pace to make up for that disappointment by doing well abroad."
For Murphy, A Thousand Words is not so much epic as more of the same. The hit-and-miss star has struck out before—Imagine That and Meet Dave, to name two recent misses, posted even lamer debuts than the new comedy.
And while Murphy has bounced back, this is probably the end of the line for John Carter.
The New Yorker reported that the movie would have to gross $700 million worldwide to warrant a sequel.  
Elsewhere, Dr. Seuss' The Lorax held strong, and held onto No. 1 for a second straight weekend. With $121 million in the domestic bank, it's now 2012's top-grossing movie of the year.
The party kept going for Project X, while the new horror film Silent House didn't scare up much interest.
Tyler Perry's Good Deeds dropped out of the Top 10 after a two-weekend stay. The drama is on track to be the consistent Perry's lowest-grossing movie as a director.
Here's the rundown of the weekend's top movies, per Friday-Sunday domestic estimates as reported by the studios and Exhibitor Relations:
  1. Dr. Seuss' The Lorax, $39.1 million
  2. John Carter, $30.6 million
  3. Project X, $11.6 million
  4. Silent House, $7.01 million
  5. Act of Valor, $7 million
  6. A Thousand Words, $6.4 million
  7. Safe House, $5 million
  8. The Vow, $4 million
  9. This Means War, $3.8 million
  10. Journey 2: The Mysterious Island, $3.7 million
(Originally published at 11:27 a.m. on March 11, 2012.)

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